Chandler Public Art Tour

Family Matters

"Family Matters" is a sandstone, copper, and metal sculpture purchased in 2012 by artist Russell Marohnic. This artwork is one of several pieces in Downtown Chandler that was created by Marohnic and is the artistic entry to Chandler City Hall. Family Matters' use of sandstone and copper is typical of Marohnic's work. This piece was created to illustrate the structure of the modern day family and the City's relation and commitment to the families that make Chandler their home. It is located at Chandler City Hall, 175 S. Arizona Ave.

Through One's Eyes

Installed in 2000, "Through One's Eyes" was created by Scottsdale artist Russell Marohnic and includes intricate patterning on the large stone that rests on a metal base. Marohnic's work has been featured in many publications and he has won numerous awards for his creations. He has several dynamic pieces that currently reside in Downtown Chandler. This piece is on loan from the artist and is located directly outside the Vision Gallery on the northeast corner of Arizona Avenue and Chicago Street.

Split Personality

"Split Personality" is a stone and steel sculpture completed in 2011 by artist Russell Marohnic. His work can be found in multiple locations throughout the United States and Canada. Marohnic allows viewers to openly interpret his artwork, but often points them in a specific direction by choosing titles that echo specific aspects of his formalist sculptures. His works feature quarries stone, metals, and more. This piece can be found at the southeast corner of Chicago Street and Arizona Avenue in downtown Chandler.

Party Crashers from Outer Space

"Party Crashers from Outer Space" Artist: Anne Coe. Acrylic painting. Received: 2005. As a part of the exhibition program at the Chandler Center for the Arts, Arizona artist Anne Coe was featured with a solo exhibition. "Party Crashers from Outer Space" was an artwork exhibited from the collection of the artist. The artist graciously donated the artwork to the City of Chandler's Public Art Collection. Artwork location: Vision Gallery

Pinna

By Barbara Jo McLaughlin

Materials: Wood and Copper Born and raised in Berwyn, Illinois, Barbara Jo McLaughlin is a nationally recognized sculptor whose work is in numerous public and private collections including the Scottsdale Museum of Contemporary Art, The Tucson Museum of Art, the Borg Warner Corporate Collection, the Tucson Airport Authority, the City of Chandler, Trans West, the Rockford Manufacturing Group, Pima Community College, and Taylor Freezer.

She received her BFA from the School of the Art Institute of Chicago and her MA and MFA from Northern Illinois University. Ms. McLaughlin is past president of the Contemporary Art Society, an affiliate of the Tucson Museum of Art, and Department Chair and art faculty at Pima Community College. Her work is represented in Tucson by the Davis Dominguez Gallery.

"I observe nature closely and take from it what I want: key elements and referential shapes, forms, textures, movements, and concepts. Nature seems grounded in perfection and logic, but upon closer scrutiny its imperfections and illogic pervade. It is these inconsistencies that I enjoy - as if the creator is showing us "the hand of the artist" in its most basic form.

I am an explorer and I want to take my viewers with me to a new place."

FLOW - Glass Railing Chandler City Hall Foyer

By Meltdown Glass and Design

Meltdown Glass and Design was inspired by the dynamism of flowing water, and wanted to create a railing system that would bring this versatile and essential environmental element into City Hall. Using a transparent glass, Meltdown was able to mimic the sense of moving water when the sun shines into the foyer and dances off the many curves and twists cast into the glass. This piece can be found right inside the front entrance of City Hall in Downtown Chandler.

For more information on the designer, visit:    https://www.meltdownglass.com/ 

Legendary - Zora Folley Mural

By Giovannie Dixon

This mural celebrates Chandler’s first hometown hero, Zora Folley. This large mural on the east side of FLO Yoga & Cycle pays tribute to the man who won a Purple Heart fighting in the Korean War, fought Muhammad Ali for the heavyweight boxing crown, and was the first Black person to serve on the Chandler City Council.

"Legendary" celebrates all that Folley achieved in his life, inspires Chandler youth to see what hard work and determination can achieve, and provides an iconic piece of cultural public art that adds to the increasingly vibrant Downtown Chandler.

Tileworks

"Tileworks" is a collaboration from several artists, including Susan Berzelius, Kathleen Escobedo, Steven Fitch, Alvin Pace, and Ted Wolter. This project consists of handmade tiles on bench seating and art pedestals. It was installed in November 2011 throughout downtown Chandler on pedestrian walkways along Arizona Avenue, south of Boston Street and north of Frye Road.

The Guardian

Artist: Russell Bowers. Bronze Sculpture. Purchased: 1999. Russell Bowers was commissioned to create an artwork consisting of three bronze figures as a monument to the work and efforts of the Chandler Police Department. This bronze artwork reminds us of the dedication and honor of Chandler's Police force. The artwork is sited in the plaza in front of the Chandler Police Department administration building. Artwork location: 250 East Chicago Street.

To Honor and To Serve: Public Safety Memorial

Artist: Jesus and Adam Romo of the Romo Sculpture Studios in Sacramento, CA. Bronze sculptures. Installed: September 2009. Image curtesy of Mark Skalny Photography. The artwork consists of two life-size bronze statues designed to honor our Police and Fire Public Safety Officers who have fallen in the line of duty. Artwork is located at the Chandler Fire Administration Building, Memorial Plaza.

Roommates

Nick Rascona

ROOMMATES is a 6 ft steel sculpture with solar panel and LED lights designed and inspired by the idea that simple changes can turn paper into planes, flatlands into canals, and neighbors into roommates. This work investigates simple shifts in imagery, planes, and perspectives. By juxtaposing buildings and saguaro cacti within a unified object, viewers are left to consider how these elements relate. Shifting the way we think of these natural and constructed features sharing space within our landscapes allows them to move from neighbors to roommates.

Nick Rascona is a Tempe-based visual artist. Nick earned his BFA from Arizona State University with a focus in painting in 2016, and has maintained a disciplined studio practice involving sculpture and painting ever since. During this time, Nick has created public and private commissioned sculptures as well as murals in Tempe and Phoenix. Nick has displayed work across the valley, and was recently selected for an artist residency at School of Visual Arts in New York City. Nick has taught workshops at the Phoenix Art Museum, Tempe Center for the Arts and several local schools. In 2019, he had an interactive sculpture accepted into the permanent collection of SRP’s Heritage Center.

Nick has extensive experience in both 2D and 3D processes including, drawing, painting, wood carving, metal fabrication, and 2D/3D digital design. He has designed and produced sculptures out of wood and metal to meet dimensional requirements using a combination of Rhinoceros 3D, milling, plasma cutting services, industrial CNC machines, and professional fabrication techniques.

5 C's

The "5 C's" represents five important elements of Arizona's history and economy: cattle, citrus, climate, copper, and cotton. Artist Joe Tyler created this metal sculpture for Chandler's centennial celebration in 2012. In a statement published by the Chandler Arts Commission, Joe Tyler stated that he hoped his artwork "would make long-time Arizona residents smile and newcomers to our state think a little bit about Arizona history and the industries that built our great state." It is located on the southwest corner of Arizona Avenue and Boston Street.

Desert Nights

This mural is inspired by Arizona’s state bird and plant, the cactus wren and the saguaro. While both are usually obscured by the desert or the wings of the bird take flight before approach, this mural allows Arizonans to get close and feel the presence of the mystery of the desert and her beauty. Completed: 2021. Medium: acrylic on wall. Artist: Lauren Lee.

Monuments to Us

Artists: Cam DeCaussin and Joey Salamon. Mural installed: 2020. Located in the Downtown Breezeway. DeCaussin's vignettes on the north side closer to the historic downtown feature images of Chandler's roots and, moving south, images approaching New Square highlight the more iconic contemporary buildings in the city, looking to Chandler's future as a technology and innovation hub. Salamon's bold stripes entice viewers from far away to come get a closer look and brighten the pedestrian passageway. Though their artistic styles are polar opposites, Cam DeCaussin and Joey Salamon both envisioned a mural that showed the evolution of the town’s character. The two friends had never previously collaborated on a piece before. With the help of Joey Salamon’s extensive experience in mural painting, the pair completed the work in just two weeks. Both artists agree that the creation of murals is a great way to engage with the public, and is a testament to the value of creative expression. Cam DeCaussin lives and works as an artist in Phoenix. He holds a Bachelor of Fine Art in Illustration from Grand Valley State University in Michigan, where he and Joey Salamon met. Joey Salamon is a Michigan-based muralist known for his dynamic and bold abstract work. In addition to private commissions, Salamon has collaborated with major companies such as Microsoft, Steelcase, Downtown Grand Rapids Inc., and his alma mater, Grand Valley State University. Though he usually prefers to work solo, Salamon thought combining the two artist’s styles, abstract and realism, would add an interesting element to Monuments To Us.

For more information on the artists, visit camdecaussin.com and joeysalamon.art 

Desert Flower VII

Artist: Gary Slater. Rusted metal and mirror sculpture. Purchased: 1998. Northeast corner of Boston Street and San Marcos Place "Desert Flower VII" is located in A.J. Chandler Park in the heart of Downtown Chandler. This abstract artwork was purchased in 1998 by the City of Chandler as one of the first pieces of art by Gary Slater. This sculpture features two materials common in Slater's work, rusted metal and mirrors. Since he was a child, Gary Slater has been fascinated by metal, and the many forms, finishes, and textures it possesses. Additionally, each form of metal conjures a different emotion in him. For example, in Slater’s mind, rusted metal evokes richness and warmth, and polished metals possess a sense of value and class. This is evident in Desert Flower VII, in which he employs both the reflective shine of the mirrors and the rugged richness of the worn metal. Slater says that the goal of his artwork is to touch viewers, and that "the abstraction of his artwork is its own language which transcends all words". Gary Slater earned his Masters of Fine Arts from Arizona State University in 1974. He has been a sculptor for over 35 years and has earned the distinction of Master of the Southwest, awarded by Phoenix Home and Garden Magazine. Slater's artwork is now an important piece to the Downtown Chandler art scene.

Sunslides

By coLAB Studios

CoLAB Studios reflected on the identity of Chandler and the uniqueness of its residents and visitors to create these pieces. With Chandler being one of the most kid-friendly communities in Arizona, coLAB studios was inspired to create something to encourage play and engagement with local families.

 ‘Sunslides’ cone-shaped structures are mini-environments for residents to look into and through from above and below while navigating the parking structure. The shape and colors of the cones are meant to connect with the natural daylight that changes seasonally. For instance, the winter light emphasizes the warm magenta cone, spring and fall light emphasizes the green cones, and summer light emphasizes the blue cone. Within the cones, there are louvers and openings that take in, and block out, sunlight. However, daylight never passes through the cones all the way to the sidewalk below so the structures are always providing shade.

Located at the Oregon St. Parking Structure

Cubizm

By Jeff Zischke

Jeff Zischke frequently utilizes the interplay between light and shadow within his outdoor pieces. Given the abundance of light we have here in Arizona, Zischke wanted to use textural shapes that create dynamic imagery of shadows within his piece, Cubizm.

Cubizm is a series of polygonal shapes in various sizes that provide seating for residents as well the option to lean on the taller shapes. There are two sets of benches: one on the north side of the parking structure and one on the south. The light tower in the middle serves as a beacon for people to use to remember where they parked, either on the north end of the garage or the south end.

Located at the Oregon St. Parking Structure

Rosales Family Fountain

"Rosales Family Fountain" was commissioned in 2003 as a bronze sculpture by artist Emanuel Martinez. The artowrk was selected to commemorate the pioneering families who settled in Chandler before 1910. The imagery selected for the fountain depicts members of the Rosales Family, a family from Chandler. It is located in Downtown Chandler at Dr. A.J. Chandler Park, south of Chandler Boulevard and west of Arizona Avenue.

Event Fence

"Event Fence", a decorative metal fence by Joe Tyler, surrounds a portion of the west side of Dr. A.J. Chandler Park. Tyler of Sun City West constructed the fence from steel, but it is made to look like branches and vines. The artist possesses a deep love for nature, and this can be seen in his designs. His work can be found in multiple cities in Arizona, nationally and internationally. He shares his goal with his artwork is to create a connection with those that view it because it reflects their own visions, dreams, and desires.

Victor Hugo

"Victor Hugo" is a wood, steel, and stone sculpture by Arizona artist Geoffrey Gross. It was installed in 1998 in Dr. A.J. Chandler Park in downtown Chandler. The artist has many different specialties including stone-carving, metal-forging and casting, and mosaic fabrication. His work is on display in many cities around Arizona, including Sedona and Tucson. This is one of the oldest artworks on display in downtown Chandler. As a graduate of Northern Arizona University, Gross holds degrees in fine arts, biology and gunsmithing.

AJ Chandler and Frank Lloyd Wright Memorial

In 1999, Taliesin West proposed a plan for downtown Chandler based on the original drawings of Taliesin Architects when they were visiting Chandler in the early 1900s. A friendship between Dr. A.J. Chandler and Frank Lloyd Wright developed over the years, which helped to influence the original civic planning that shaped the Chandler of today. Bronze monuments of the two by artist Igor Zorkin was purchased in 2001. Zorkin opted for a classical method of sculpting, identical to those used in the Renaissance. He used wood blocks to compose the armatures, which are frameworks that form the rough likeness of the subject. Once they are constructed, wet clay is poured over the armatures. This serves as the foundation for the sculpture before it is covered in bronze and completed. Igor Zorkin is based in New York City. He is an accomplished sculptor, muralist, and portrait painter specializing in both realistic and abstract styles. He believes that art is the most profound expression of a man’s spiritual nature. Zorkin’s work pays homage to the classical principles of sculpture, and also aims to express a sense of timelessness. They are located in Dr. A.J. Chandler Park - Downtown Chandler, south of Chandler Boulevard and east of Arizona Avenue.

C-Note

"C-Note" is a steel sculpture by artist Kevin Caron that was installed in May 2012. Caron's love of sound takes new shape in this steel chime sculpture, created in 2008. The artwork has a melodic sound when chimed. The bell hanging from the top of the sculpture produces music, activated by a light breeze. Departing from the traditional cylinder shape, Caron’s bell is composed of a steel disk. Rather than use the traditional pendulum shape for the bell’s clapper, Caron created a ball-and-spring contraption attached to the underside of the disk. Caron has said, "In my work, I seek out illusion in contour and its capacity, treating unusual intersections as purposeful composition." He has created over fifty sculptures on display across the Valley, and was chosen as Visual Artist of the Year at the 2018 Phoenix Mayor’s Arts Awards. He primarily works with fabricated steel, and uses a large 3D printer to complete his works. This piece can be found at the northwest corner of Arizona Avenue and Buffalo Street, near Dr. A.J. Chandler Park.

Hum of the Desert - San Marcos Commonwealth Canal Mural

This mural by Ariana Enriquez is her love letter to the city of Chandler. Inspired by the idea of water as a vital element in the desert, Enriquez features many Arizona native species of plants, birds, and insects that rely on these water sources to thrive within her mural. The water elements in her piece are meant to emphasize, highlight, and celebrate the canal running alongside the 228 foot long mural. Completed: 2020. Medium: acrylic and spray paint on wall. Artist: Ariana Enriquez.

For more of Ariana's work:  arianaenriquez.com 

SanTan Brewing Company Mural

By Noe "Such Styles" Baez and Champ

Drawing from his roots in the New York street art scene, Noe "Such Styles" Baez and his son, Champ, created this vibrant mural on the west facing exterior wall of the SanTan Brewing Company. Depicting three large beer distillers surrounded by the desert landscape and Chandler architecture, this mural brings light and energy into the environment surrounding the well-known local brewery.

Female Angel

By William Barnhart

William Barnhart’s work usually takes the form of figurative sculptures or paintings and monoprints of figures. Barnhart explores the drama, emotional complexities, and mental and spiritual realities of the human experience. Using figures suspended in action he mimics the human experience of every moment being suspended in time. He strives to engage the viewer in universal truths that transcend all boundaries and are accessible to anyone sensitive enough to understand his visual vocabulary. He explores the positive and negative emotional truths through the commonality of us all being human.

Barnhart has his BFA from Brigham Young University and his Graduate Studies degree from Arizona State University. He is based in Mesa, Arizona but has been in many solo and group exhibitions around the world, including showing his work in collections in the United States, Europe, and being a part of the permanent collection at the Museum of Modern Art in Wakayama, Japan. He has won numerous awards in art, architecture, and Environmental Design and even won the prestigious “Crescordia Award” in 2010.

Woman on Horse

By William Barnhart

William Barnhart’s work usually takes the form of figurative sculptures or paintings and monoprints of figures. Barnhart explores the drama, emotional complexities, and mental and spiritual realities of the human experience. Using figures suspended in action he mimics the human experience of every moment being suspended in time. He strives to engage the viewer in universal truths that transcend all boundaries and are accessible to anyone sensitive enough to understand his visual vocabulary. He explores the positive and negative emotional truths through the commonality of us all being human.

Barnhart has his BFA from Brigham Young University and his Graduate Studies degree from Arizona State University. He is based in Mesa, Arizona but has been in many solo and group exhibitions around the world, including showing his work in collections in the United States, Europe, and being a part of the permanent collection at the Museum of Modern Art in Wakayama, Japan. He has won numerous awards in art, architecture, and Environmental Design and even won the prestigious “Crescordia Award” in 2010.

Oracle of Victory

"Oracle of Victory" is a steel sculpture installed in 1999 by artist Lyle London. He is a Tempe-based artist who specializes in abstract metal sculptures. Lyle London and his business partner, Shannon Owen, own Art In Metal in Tempe, where they design their own artwork as well as provide design services for clients. "Oracle of Victory" is comprised of a sheet of wavy rusted metal, which sits atop a steel pedestal and concrete base. This artwork was donated to the City of Chandler Public Art Collection by Tempe Arts Center in 1999.

Entropy Walls

By Carl Jansen

Cast in place Concrete, 1996

Created by artist Carl Jansen, this artwork is installed in the Downtown Chandler Public Library courtyard. Jansen was a member of the Chandler Arts Commission when the library was looking for a public art component for its opening in 1996. The Chandler Arts Commission did not receive any satisfactory proposals, so Jansen decided to offer his own design at no cost to the city. The funds allocated through Chandler’s 1% for the arts program were used for materials only. The concrete walls can serve as seating to those who visit the library. According to the artist, the title comes from the idea that "knowledge in a library is very concentrated; but as you leave, it's dissipated." Jansen’s work can also be found in Las Vegas at Caesar’s Palace and the Nasu Highland amusement park in Japan.

Campienda de la Tierra

"Campienda de la Tierra" is a ceramic wall sculpture that was completed by artist Don Reitz in 2001. The Chandler Arts Commission asked Reitz to design an artwork that reflected the changing landscape of Arizona through modernization and development. The artwork is literally a jigsaw puzzle of hundreds of interlocking ceramic pieces, each independently attached to the wall, creating the look of dried earth. The title, "Campienda de la Tierra" is a statement about the urbanization of rural areas of Arizona. Formerly on display at the Chandler Center for the Arts.

The Nature of Truth: The Truth of Nature

By Michael James

Over Michael James's 50 year career, pattern has been a constant element in his work. He uses pattern as a metaphor for the complex systems that work through our world: physical systems, emotional systems, psychological systems, etc.  Pattern embodies the order implicit in these systems, but the play with pattern, altering and deconstructing it, allows for the likelihood that order will give way to disorder, to the unexpected and the unpredictable.  This constant tension between order and disorder is a unifying thread that runs through his work

Michael James's practice is focused on fabric constructions. His textiles have been recognized and exhibited internationally. They are included in the collections of the Museum of Arts & Design in New York City, the Museum of Fine Arts Boston, the Racine Art Museum, the Newark Museum, the Mint Museum, the Indianapolis Museum of Art, the Shelburne Museum, the Baltimore Museum of Art, and the Renwick Gallery of the National Museum of American Art at the Smithsonian Institution, among others.

Staring into the Sun

"Staring into the Sun" is a metal sculpture by artist Kevin Berry that was purchased in 1996. The Chandler Arts Commission selected Berry for the creation of a suspended metal sculpture for the rotunda of the Downtown branch of the Chandler Public Libraries. The artwork was designed as a statement of illumination of knowledge that literature brings. It is on display at 22 S. Delaware St.

Ostrich

"The Ostrich" is a metal sculpture by artist Mike Lynch that was purchased in 1993. The artwork was selected for the City's Public Art Collection as a commemorative statement concerning the City of Chandler's history as being the site of Ostrich farming in the late 1800s and early 1900s. The artwork is permanently located on the second floor of the Downtown Chandler Public Library, 22 S. Delaware St.

Rainbow in the Dark

By Mary Beth Bellah

Hand dyed cottons, structural supports and stitching

A dedicated textile artist since 1996, Mary Beth Bellah has focused on mixed-media and unconventional art quilts and has come to experiment and expand upon the traditional definition of fabric quilts, creating both non-rectangular and three-dimensional quilts which can be either free standing or wall hanging pieces. From her hand-crafted Teapot Series to her various abstract creations, her work has been featured both nationally and internationally and can be found in a variety of museums, galleries, and private collections worldwide. “Rainbow in the Dark” is one example of her three-dimensional quilts, created using hand-dyed cotton and stitching and presented in a grid-like style showcasing the transitioning rainbow color palette. Mary Beth Bellah continues to create new and upcoming artworks from her studio in Charlottesville, Virginia.

Crazy Quilt

"Crazy Quilt" is a metal tapestry by artist Marianne Flenniken. The artwork was selected for the City's Public Art Collection in 2000 as a purchase from a sculptural rotation of artwork on the downtown square, Art on the Square. In her biography, Flenniken says, "To me, being an artist is synonymous to problem solving and taking risks." Since 1985, her work has been shown and won awards regionally and nationally. The artwork is on permanent display in the Downtown Chandler Public Library, main floor, 22 S. Delaware St.

CCA Terrace Star Glass Panels

By Meltdown Glass and Design

Meltdown Glass and Design created new glass panels for the Chandler Center for the Arts that reflects the star power often experienced inside the renowned theater. Using a transparent glass with star shapes cast into it, Meltdown was able to literally bring the stars off the stage and onto the exterior terrace, welcoming all guests visiting this entertainment hub. This piece can be found surrounding the front terrace of the Chandler Center for the Arts.

Morning at Saddle Canyon

"Morning at Saddle Canyon" is a landscape wall mural completed in 1990 by Arizona artist Merrill Mahaffey. The Chandler Arts Commission joined forces with the Chandler Cultural Foundation to select Mahaffey to create a dramatic, four panel acrylic painting measuring 16' x 33'. The monumental landscapes from Mahaffey's palette and canvas reflect his high standards of craftsmanship that bridges realism and modernism. The artwork is considered the dramatic focal point of the Chandler Center for the Arts, 250 N. Arizona Ave.

Landscape

"Landscape" is a painted clay tile mural by artist Elizabeth McDonald that was purchased in 1989. The artwork is hand-painted, kiln-fired ceramic tile and is permanently displayed above the grand staircase in the foyer at the Chandler Center for the Arts, 250 N. Arizona Ave. The artwork depicts a rural landscape that is reminiscent of Chandler's history.

The Great American Cowboy

Hugh Cabot

The Great American Cowboy, 1987

Oil on canvas

City of Chandler Permanent Collection, acquired 1987

Hugh Cabot was born in Boston, Massachusetts but spent the majority of his artist career in Tubac, Arizona.  For more than 37 years, Cabot devoted himself to the Southwest aesthetic by painting the imagery that surrounded him and selling artwork at his gallery. While his primary medium was oil, he was also known for using acrylic, charcoal, pastel, and watercolor – and even created some sculptural work. Over the course of his career, he was fortunate to exhibit is works both nationally and internationally. While serving in the Korean War at the age of 22, he became an Official Navy Combat Artist and received international acclaim for his illustrations which appeared in both magazines and newspapers. Cabot passed away in 2005 but his legacy lives on through his artwork and his gallery, which continues to promote art and artists from the Southwest region.

All American Rodeo Cowboy is an exceptional example of the cowboy paintings that Cabot created throughout his career. Using heavy, gestural brushstrokes and contrasting colors, Cabot evokes the theatrical nature of rodeo. The ominous black and red set the stage for the prominent cowboy in the foreground. With the face obscured and the head tilted downward, it becomes clear that the painting is not about a specific rodeo star but rather the spectacle of rodeos in general. It romanticizes the male cowboy form and celebrates the rural culture from the chaps and gloves to the meticulously painted worn hat. Cabot viewed cowboys as the “world’s leading icon,” and pays tribute to one of America’s most beloved cultural tropes in this painting.

Things on a Table

Kate Breakey

Things on a Table, 2006

Gelatin silver print, hand-colored

City of Chandler Permanent Collection, acquired 2007

Kate Breakey is known for her large-scale, hand-colored photographs, which often feature luminous representations of birds, flowers, animals, and insects found around her desert home. Beginning with a gelatin silver photograph printed in a darkroom, she hand-applies many transparent layers of oil paint, colored pencils, and pastels, adding lush color and textural depth to the imagery. Concerned with the themes of death in nature and the preservation of beauty through photography, Breakey wants to “tenderly record the beautiful bodies now in transition towards decomposition and disintegration.”

Since 1981, her work has appeared in more than 75 solo exhibitions and more than 50 group exhibitions in the United States, France, Japan, Australia, China, and New Zealand. Her work is in the permanent collection of many public institutions including the Center for Creative Photography in Tucson, the Museum of Photographic Arts in San Diego, the Museum of Fine Arts, Houston, the Wittliff collections at Texas State University, the Austin Museum of Art, the National Gallery of Australia in Canberra and the Osaka Museum in Japan. In 2004, she received the Photographer of the Year Award from the Houston Center for Photography.

Rules of Bending Circles

Vernon Fisher

Rules of Bending Circles, 1993

Lithograph, ed. 1/30

City of Chandler Permanent Collection, acquired 2007

Rules of Bending Circles was created at Landfill Press in Chicago, IL and is part of a larger body of work known as the Blackboard series. Although the other artwork in the series are mostly paintings or site-specific painted installations, the imagery and aesthetics are very similar. Fisher creates a blackboard background and what appear to be pedagogical lessons. However, after further investigation, the renderings and formulas either equate to nothing or are illogical. In an interview for an exhibition at Mark Moore Gallery, Fisher indicated that the more disparate the images, the more cognitive tension the artwork creates. The imagery is not meant to be logical or conclusive but rather left up to the viewer’s interpretation. 

Vernon Fisher graduated from Harden Simmons University with a Bachelor of Arts in English Literature. In graduate school, he shifted his focus by earning a Master of Fine Art at the University of Illinois in 1969. Informed by the artwork of the 1960s and 1970s, his early work was primarily inspired by inspired Ed Ruscha and John Baldessari. In his early work, one could see the use of lettering from Ruscha and the abstraction from Baldessari is evident in his work. However, Fisher creates his own aesthetic by blending art historical and literary references with pop culture imagery to create multi-layered visual narratives. Fisher has shown extensively throughout the United States including Whitney Museum of American Art, New York, NY, Contemporary Arts Museum, Houston, TX, and Scottsdale Museum of Art, Scottsdale, AZ. His work can be found in the Blanton Museum of Art, Orange County Museum of Art and Art Institute of Chicago. Fisher currently lives in his hometown of Fort Worth, TX.

Last View of Chandler

P. A. Jones

Last View of Chandler

Pastel on paper

City of Chandler Permanent Collection, acquired 1989

P. A. Jones has painted all her life. Growing up amid the asphalt and clamor of Los Angeles, she always yearned for a place both quiet and beautiful. A lifelong search for that perfect somewhere led her to many impressive places in California, New Mexico, Washington, Arizona, Texas and Oregon. She now resides on a mountaintop in southeastern Montana.

As Jones’ location changed, so too did the images featured in her paintings. She draws inspiration from the environment outside her window: spending time living on a river brought a new appreciation of water; experiencing the wide-open spaces of Montana shifted how she painted light. Jones states, "It is my hope, as a painter, that I capture the moment where the light makes you stop and take a second look. I want my paintings to evoke a memory, a sense of life and nature that goes a little beyond reality."

Last View of Chandler depicts rural Chandler, Arizona before it was developed. Jones was inspired to ask viewers to remember the beauty of the area that existed long before modern intervention, and may be difficult to find now. 

Donor Wall

Safwat Saleem

The Donor Wall recognizes and celebrates the generous supporters of Chandler Center for the Arts. Paying homage to Chandler's evolving nature, the imagery on the Donor Wall depicts Chandler's beginnings as an agricultural city as well as the high-tech city we know today. Visitors are encouraged to interact with the rotating pillars to become acquainted with the many supporters of the Chandler Center for the Arts and explore the multiple sides of imagery presented.

Harter Park Mural

By Chelsi Rossi

Chelsi Rossi designed this mural while thinking about unity, community, full circle, and her longing to connect with a community after so much time spent apart. In an abstract way, Rossi believes that time encapsulates the theme of ‘full circle’, specifically within the rhythms of nature that we witness each day. We observe ‘unity’ in the desert in spite of the sparse resources that allow our breathtaking ecosystems to flourish. She depicts the rhythm of our desert ecosystem in her mural.

After finding herself with a growing collection of paint from previous mural projects, Rossi decided she wanted to engage the surrounding neighborhood community by inviting them to use the leftover paint from this project to paint flower pots. In this way, neighborhood members created something personal to commemorate this new mural in their neighborhood and their time spent with Rossi.

For more of Chelsi's work:  chelsirossi.com 

Shortcut

"Shortcut" is a bronze sculpture purchased in 1995 from artist Jane DeDecker. This artwork was selected for the City of Chandler's Public Art Collection to be placed in the Desert Breeze Park along the east side walking path. It depicts the playful spirit of five children crossing a log. DeDecker has more than 175 public sculptures placed in 33 states and is based in Loveland, Colorado. She says that she knew from an early age that she would be an artist. This piece is located north of Chandler Boulevard and east of McClintock Road.

Las Brisas: Tree Ramada and Hummingbird Arch

Artist: Joe Tyler. Metal sculpture. Purchased: 1997. The Chandler Arts Commission released a call to artists for participation in the Parks Department's Hummingbird Habitat Project. Arizona artist Joe Tyler was selected as a finalist to create a 20' tall tree ramada and archway as an entrance to the park site. Artwork location: Hummingbird Habitat at Desert Breeze Park, north of Chandler Boulevard on Desert Breeze Boulevard.

The Spirit of Service

Artist: BJ Katz, Meltdown Glass and Design Metal. Sculpture Purchased: 2007. The Chandler Arts Commission selected artist BJ Katz of Meltdown Glass and Design to create a three panel glass mural depicting the 'Spirit of Service' by the City of Chandler's Police and Fire Departments. The artwork was unveiled in 2007 and is located in the memorial plaza at the Desert Breeze Fire and Police Community Facility. Artwork location: Desert Breeze Fire and Police Community Facility, 251 North Desert Breeze Boulevard West.

Use Water Wisely: A Desert Diamond

Artist: Juanita Hull Carlson. Concrete and Mosaic sculpture. Purchased: 2007. Arizona artist Juanita Hull Carlson was selected to create a sculptural element within the perimeter of the City of Chandler's Xeriscape and Water Conservation Garden. The Artist used concrete, tile, and glass mosaic to create artworks with neighborhood participation. The project is designed to help enhance the message of water conservation and is the culmination of a six-month neighborhood arts project that the local community is worthy of pride and praise. Artwork location: City of Chandler Xeriscape Garden, 410 North Arrowhead Drive.

Pima Pete

"Pima Pete" is a clay sculpture purchased in 1999 from artist Rosemary Lonewolf. The Chandler Arts Commission chose to commission an artwork for placement at the new Chandler YMCA. The artist chosen was Lonewolf, who proposed the development of ceramic tile artworks depicting ancient Native American symbols updated to depict contemporary sports imagery. The artist's proposal discussed the history of ancient Native American ball courts found in the Chandler area. It is located at the Chandler YMCA, 1655 W. Frye Rd.

Field of Dreams

"Field of Dreams" is by artist Craig Cheply and was installed May 17, 2012. The mural is a mixed-media artwork on a wood panel and incorporates donated sports shoes by patrons of the Tumbleweed Recreation Center (TRC). The mural represents the history of the agricultural fields that existed where the TRC now stands. It is located at 745 E. Germann Rd.

The Seed

Artist: Kevin Caron. Medium: Powder coated aluminum. Commissioned: May 2012. Flowing from Chandler's agricultural foundation, "The Seed" honors the importance of agriculture and, accordingly, water. The "sluice" or canal, in the background, feeds the seed, or grain, of the smaller front figure, leading to the growth of hay and, eventually, the community itself. The sculpture sits 12 feet above the floor in Tumbleweed's lobby. Artwork location: Tumbleweed Recreation Center, 745 E. Germann Rd.

Wall with Waves

"Wall with Waves" was the first major artwork commissioned by the Chandler Arts Commission in 1985 by artist James O'Hara. It originally was sited on the northwest corner of Arizona Avenue and Chandler Boulevard. The piece was commissioned as a 'gateway artwork' for historic downtown Chandler. The artwork was moved in 1997 and now resides at the intersection of Germann Road and McQueen, next to the Chandler Tennis Center at Tumbleweed Park, 2250 S. McQueen Rd.

Our Nature

Located at the Chandler Public Safety Training Center. The users of the facility planned for a gathering spot on the north side of a tall pre-cast concrete wall. With a desire for greater shade and a calming presence, the building owners sought public art through a competition and interview process. Knowing the proven scientific data showing the ability for certain forms and patterns to calm people, the team at coLAB Studio proposed a botanical theme to the imagery. To begin developing the final pattern, the coLAB team started by talking to the police and fire representatives about their jobs. Much of their sensibilities revolve around the idea of duty- to serve and take care of others. While the badges they wear are symbolically shields, nearly all such badges contain some sort of biophilia; Garlands, an eagle, folds of fabric, and soft edges. In the end, the team developed the pattern by blending the shapes of the badges with botanical patterns, creating a metaphoric tree out of the project- with three large forms acting as leafy canopies and/or very large leaves.

Infinite Wave

Infinite Wave was designed by artist Jeff Zischke. The shade structure is made of articulated sculptural shapes designed to provide dynamic shade for the visitors of the Chandler Museum. The organic, wavy type shapes were developed to reflect the modern and progressive traits of the people and the City of Chandler. This infinite wave of shapes gives dimension and texture to the space while creating visually interesting interactive animated light and shadow play.

 The brushed stainless steel rounded shapes are intended to give a softening effect to the geometric design of the museum and subtlety reflect the various colors of the plants and flowers below as well as develop an interaction between the people moving through the space. With the reflective surface of the metal and shadow patterns changing shape and intensity depending on the angle of the sun and the time of year, this creates a non-static, ever changing shape-scape environment.

Photo by Bill Timmerman

McCullough Price House Light Fixtures - Historic Replicas

The McCullough-Price house was built in 1938 as a winter residence for William D. McCullough, a wealthy Detroit resident and his family.  Architects Lescher and Mahoney designed this home in a southwestern Pueblo Revival style. For many decades the Arthur Price family, who donated it to the City in 2001, owned the home. City leaders and the staff of the Chandler Community Services Department recognized the historical value of this landmark and committed to its renovation and rehabilitation in an effort to create a historical, cultural, educational and social destination.

Pueblo Alto Mural

By Edgar 8ahau Fernandez

Located in Chandler at Espo’s Mexican Restaurant, this mural project brought together diverse participants to create a public work that would celebrate the rich culture and history of the Pueblo Alto/Hightown neighborhood. This mural is a collaboration between artist Edgar 8ahau Fernandez, the Pueblo Alto/Hightown community, Espo’s Mexican Restaurant, and the City of Chandler Arts Commission, Human Relations Commission, and Neighborhood Advisory Committee. Through many rounds of participatory community design, Fernandez created this mural with colorful, symbolic imagery representing the story of this vibrant community.

Pueblo Alto/Hightown is one of Chandler’s oldest neighborhoods; in fact, people have been living in the area since the 1920s or before, when Chandler’s boundaries did not yet surround the neighborhood. As Chandler was developed as farmland in the 1920s, Pueblo Alto’s slightly higher elevation made it less suitable for farming irrigation and instead it became a place for Yaqui peoples and migrants fleeing Mexico’s revolution to settle. Early on the area was called El Chamizo after the desert bushes that grew in the area, and then Pueblo Alto or “Hightown” as a reference to the neighborhood’s elevation. Today, the neighborhood is home to a vibrant community with generations of history

This mural is rich in symbolism. The two farmworkers pay homage to the families that settled in Pueblo Alto and cultivated the land to provide good lives for their families and the generations to come. The white cotton flowers represent one of the main crops the Pueblo Alto community harvested. Agave, nopales, and yellow creosote flowers represent the power and beauty of the land Pueblo Alto resides in, and the resilience of us all as desert residents. The Yaqui Deer Dancer represents the Yaqui culture of the neighborhood. The corn/maiz represent another important crop for the community and an ancestral tie to life and culture, and are one of Fernandez’s signature motifs. The vibrant monochromatic blue background represents water and life flowing throughout this community. And lastly, the outstretched hands at the center offer food to represent the neighborhood’s vibrant, close-knit community that builds ties by sharing culture.

Espo’s Mexican Restaurant was chosen as the site for this mural as a recognition for all that the Espinoza family has done for the Pueblo Alto community.

Inner Light XVII

By Gary Slater

Gary Slater is fascinated with metal and the various finishes and endless combinations of metals, textures, and forms in concert with other elements. He continues to experiment with all of the avenues that metal offers, disinterested in having a signature style. Slater is completely captivated by crisp forms with the inherent need for craftsmanship; yet he has a fascination with the rough found object that elicits a response that says,” hands off---I am complete”. He enjoys working with polished materials and reflective surfaces because of their value association in contrast to the deep, warm surfaces of copper.

For more information on the artist, visit:  https://www.slatersculpture.com/ 

Sunset Library - Benches

By Susan Berzelius, Steven Fitch, Kathleen Escobedo, Alvin Pace, and Ted Wolter

These five Arizona ceramic artists comprise the collaborative known as "Five on Tile". Together they created thousands of handmade tiles applied to multiple benches for seating throughout Downtown Chandler. The benches at Sunset Library have themes that vary from highlighting the beauty of Arizona's natural environment to celebrating a passion for music. This project prominently showcases the artists' individual versatility.

These benches can be found outside of Chandler Sunset Library at 4930 W Ray Rd, Chandler, AZ 85226

Hamilton Library - Benches

By Susan Berzelius, Steven Fitch, Kathleen Escobedo, Alvin Pace, and Ted Wolter

These five Arizona ceramic artists comprise the collaborative known as "Five on Tile". Together they created thousands of handmade tiles applied to multiple benches for seating throughout Downtown Chandler. The benches at Hamilton Library are primarily nature themed. This project prominently showcases the artists' individual versatility.

These benches can be found outside of Chandler Hamilton Library at 3700 S Arizona Ave, Chandler, AZ 85248

Sunset

By Steven Fitch

Steven Fitch's glass mural, Sunset, can be found inside the Chandler Sunset Library. The mural depicts an abstracted sunset etched in glass, inspired by the name of the library itself. With Sunset library located in the west side of Chandler, Steven wanted to depict the sun setting in the West to further pay homage to the library's namesake.

Steven Fitch was a Chandler-based artist and major contributor in the creation of tilework for benches, tables, and sculpture pedestals during significant renovations to downtown Chandler.

BRT Downtown Stations - Under The Leafy Canopy

By Joan Waters

Two art bus shelters made in collaboration with TranSystems. Located at the northeast and southwest corners of Arizona Ave and Chandler Blvd.

These unique art shelters were designed for the downtown historic district in Chandler by Joan Waters. The two iconic bus shelters connect downtown Chandler with Metro Light Rail. Waters investigated new materials that would be durable and shady in the intense sun and came up with designs inspired by naturally occurring shade structures. They have translucent leaf-shaped canopies that transmit light but also provide cool shade, custom fiberglass screens with cutouts, leaf stamped concrete, and tall, fiber optic lit sculptures that enhance these mini oases.

Movimiento del Viento

Located at the Chandler Regional Park and Ride

The artist, Joan Waters, collaborated with a team of architects and engineers to develop three art elements that are integrated throughout the Park and Ride. By visiting the site early in the project, before ground was broken, the artist was able to make observations, drawings and photographs directly from the environment. The resulting sculptures are inspired by the history and energy of Chandler, and the beauty of the land. By integrating the design throughout the Park and Ride, the artwork helps create an attractive facility that has a unique sense of place with interesting artwork for its users to experience each day.

The three art elements are a cast concrete wall designed by the artist, a central sculpture titled "Momentum" that's located on the main platform, and four "Shadow Curtain" sculptures along the east platform. Each of these art elements are made to reflect the natural environment and contain imagery inspired the local ecosystem. Examples of this are the silhouettes of trees and birds cut out of the "Shadow Curtains", the tumbleweed-inspired metal sculpture on top of "Momentum", and the relief casts on the concrete wall inspired by a field of grass blowing in the wind.

Literacy At Sunset

By Brent Bond

Literacy at Sunset is a two dimensional, print media artwork commissioned by Brent Bond as a site specific artwork for Chandler’s Sunset Library Branch.

Brent Bond is a Master Printer with his BFA from Cal State University in Long Beach and his MFA from Arizona State University. He has a history of 14 solo shows and over 200 group shows and his art can be found in private and public collections in the US and Mexico. In May of 2009, Bond founded Santo Press, a fine art publishing company focusing on original limited edition relief prints by emerging and mid-career artists, that has since released 254 editions by 50 different artists and counting.

For more information on the artist and his studio, visit:  https://santopress.com/ 

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Jef Caine

"In the spirit of authenticity, I wanted to create an imagined depiction of the internal workings of one of these things. A mass of cords, wires, outlets, switches, and other technical do-dads - who knows what any of them are for? Like the city of Chandler itself, this graphic is casual and eclectic. A complex hive buzzing with life and electricity. No two faces the same. No two paths identical. The illustration depicts the symbiotic relationship between bio-life and technology, growth and decay, humans and robots, order and chaos.

Together we endure the heat of the Arizona sun, sweep away the dust of the wind-blown desert, and admire the dignity of the swirling cactus. Our lives are entangled and interconnected in ways we may never fully comprehend. The dynamics of our community come to fruition when we go out on the town. Cold beer. Spicy tacos. Karaoke. Shared laughter with strangers. The search for someplace to plug in your phone. Finally a moonlit walk back to the car. Coffee and donuts in the morning. This city is alive and so are we.

Chandler is a community teeming with life. It is chaotic, complex and ultimately unknowable. And it is all the more beautiful for it."

For more of Jef's work:  jefcaine.com 

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Ariana Enriquez

"I have called Arizona home for twenty-three years. Its diverse geography serves as my largest source of inspiration for my work. Primarily painted by hand in oils on canvas, my utility box design depicts birds, insects and botanical elements that I associate with both the city of Chandler and Arizona overall. Dr. A.J. Chandler brought ostriches to Arizona after seeing them in the 1893 Columbian Exposition in Chicago. Since then this quirky bird has become a historic icon of the city of Chandler and is incorporated on the frontal face of the utility box. The back of the box depicts the cactus wren, our state bird, among prickly pear blooms. Protecting their established territory, the cactus wren serves as a reminder to collectively take care of and contribute to our city. The sides of the utility box depict hummingbirds and cicadas. Arizona summers are filled with cicada songs, reminders of longer days and monsoon-swept sunsets. Their distinct high-pitched buzz always reminds me of home. While hummingbirds hold personal meaning of familial guidance for me, they are also prevalent within our desert ecosystems, gracefully migrating through our land. Lastly, cactus blooms, succulents, and Arizona wildflowers (gold poppies, purple brodea, lupine and coneflowers) fill the spaces around these species, representative of the abundant colors and rich flora that our desert offers."

For more of Ariana's work:  arianaenriquez.com 

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Ghazal Ghazi

"The inspiration for this design is based on an intersection between Uptown Chandler and the local ecology of its land. The fig is a very desert-friendly tree, and grows well in southern Arizona, fruiting twice annually. The fig represents not only the common trees and plants that are part of the local landscape of the Sonoran Desert, but it also represents the active, health-focused recreational lifestyle that is common in Uptown Chandler. The bright colors also serve as a reflection of the vibrancy and dynamism of Uptown Chandler." 

For more of Ghazal's work:  zynbart.blogspot.com 

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Jane Goat

"The City of Chandler has been busy building itself into the respected community that it is today. With mindful and speedy expansions it is quickly becoming a hotspot suburb of Phoenix. To showcase the building blocks of the City of Chandler, my illustration takes the city name and builds upon itself both experientially and visually. Although each face of the box is interesting in its own aesthetic, you'll need all four sides to put together this concept art, just like you need all facets of a city to be working together to make something great."

For more of Jane's work:  janegoat.com 

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Mike Holmes

"An iguana and gila monster travel the beautiful, treasure-filled desert on the back of their newfound friend, the tortoise. Not a trio you expect to see working together every day, here they roam: exploring, discovering, having new experiences, and making new friends and memories. In the end, all we have is the connections we've made and the experiences we've had. I hope that we can all find ourselves in situations where we make meaningful connections that both encourage our own personal growth and elevate those around us, just as this trio has done.

The people we meet all play roles in our stories, but all stories need a location to nurture that narrative. Having lived in Chandler for many years now, one thing that always astounds me is the city's ability to embrace change while still maintaining this welcoming charm that has always been its hallmark. The city has an eclectic spirit that seems to embrace all, and invite everyone to come and join. No matter where we come from, Chandler welcomes us to sit on its porch, have a drink, and enjoy this desert adventure we find ourselves on. I hope people can feel some of that Chandler charm when they pass by this art on the street."

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Kayla Newnam

"The inspiration for this piece comes from the diversity and uniqueness that is Uptown Chandler. The different finger creatures represent the different happy faces and personalities that come together and collaborate around Uptown Chandler. These friendly characters symbolize the welcoming attitude that Uptown Chandler fosters for emerging and forward-thinking businesses. The bottom winding pattern is a nod to the history of the Dr. Alexander Chandler's involvement in the creation of an early system of canals that are now spread throughout the City of Chandler."

For more of Kayla's work:  kaylanewnam.com 

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Chelsi Rossi

"My inspiration for this project comes from a recent road trip of the west coast starting from Portland, Oregon and finishing at home in Downtown Phoenix. For days I watched cities appear in the distance as tiny clusters of light while rolling hills and valleys flew by in the windows. Each time I travel back to the valley, I am reminded of the vastness of both Phoenix and the desert that surrounds it by the expansive sea of glowing city lights. The colors within the landscape are uniquely vivid to compliment the lively atmosphere of Uptown Chandler and the welcoming sign invites you to think about the next time you’ll be spending time Uptown."

For more of Chelsi's work:  chelsirossi.com 

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Michelle Vilavanh

"Chandler is one of those cities that has something in it for everybody. I like to imagine it as a canvas, since it provides a space for those with big ideas to thrive. But beyond that, Chandler appeals to all kinds of people – regardless of their background. As someone who has lived here for most of her life, I want my design to remind people of what makes Chandler so unique. We live in a true desert, full of cactuses and mountains and all kinds of wildlife that just doesn’t exist elsewhere in the United States.

I chose to capture the energy of the city with vibrant colors and shapes that indicate motion, to give the feeling that Chandler is always moving, and doesn’t subscribe to one particular identity. This city is made up of different cultures that have made it a diverse hub for food and for entertainment. One side of my design captures Chandler’s daytime activities, the other side captures the nighttime atmosphere here (I event included a stylized martini glass and fork to give a nod to the great food culture we enjoy in Chandler!). When I was conceptualizing this piece, I wanted to highlight two things: where Chandler has been, and where it will go in the future. I wanted to honor the many identities that Chandler has had in the past while still leaving room for whatever is in store for it in the days, months, and years ahead."

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Yaelh Castaneda

"My inspiration for this illustration came from the city of chandler. I made it dual sided to show that Chandler is so full of fun and amazing things that once you leave it’ll always bring you back. That’s why I chose the day sky with the car leaving for the front and the dark night sky on the back for the return."

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Karolina Adams

The box design was created in collaboration with two young students from the ICAN organization. Both girls live in Chandler. The designs depicted on the utility box represent the girls hopes for their neighborhood. HAPPINESS, COMMUNITY GROWTH, UNITY & EQUALITY, and for all of the Chandler residents' voices to be heard and considered by the city leaders. We wanted to show it in a light and fun way, which brings hope and excitement to what can be seen as serious topics.

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Oliverio Balcells

I’m interested in social themes like history, culture, and symbolism. I’m inspired by color, nature, and music. The essence of my artwork expresses the energy and personal passion that is reflected in a song, a painting, or a public art project. In the Utility Box I worked with an ICAN Student and translated his idea of a Mexican-American neighborhood with images that represent culture, traditions, folklore and art; it was a great experience to make an art piece with a student as a collaboration.

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Matt Lu

The artwork for this project was inspired by the stories and the people from the Chandler neighborhood that my student/partner artist lives in. She spoke of a tight knit Latinx community facing the ever-present challenges of gentrification, with the impending change of time and progress leaving many by the wayside. In our conversations together, we imagined a fantastical world where the community could rise up against this invisible enemy, and claim the presence of the people forever on the streets they call home. The alebrijes represent the spirit of the people against the backdrop of the soulless structures of so-called progress and the faceless musculature of time.

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Diego Perez

My utility box was inspired by the experience of Zeke, a Chicano kid who perceives his life through the urban space, sport, music, and fauna. My intention was to depict the cultural cosmogony of the transnational citizen. The zarape or jorongo wraps the utility box as a symbol of protection and security. But it is also used for a good picnic, therefore, the corn and the beautiful surroundings of the flora and fauna. An urban space where diversity can be possible.

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Heather Freitas

The collection of paintings featured on the utility box were in response to the beauty of the changing seasons of the desert. A place deemed hostile yet one where life flourishes throughout all the seasons. My work is composed of many media and layers. For this project I took paintings of Princessa’s and worked over them allowing for parts of her work to shine through the newly created work. Transforming her work much like the desert transforms over the seasons. 

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Carla Keaton

Inspiration for this piece came from two things I enjoy the most. Both at the opposite ends of the spectrum. I’ve always been drawn to people at bus stops. They represent ordinary people, in the hustle and bustle of an energetic and lively city. Who are they, where are they going, what is their story. I observe them for a fleeting moment in time and then in an instant, they are gone. Then there are the mountains, desert and the indescribable serene beauty of an Arizona sunset, where I have spent countless times hiking exploring and just being.

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Alexis Fritz

The inspiration for my traffic box designs comes from desert dreams. I chose two local myths, The Lost Dutchman and the Jackalope, and two oversized representations of local fauna, an enormous gila monster and three giant hummingbird moths, to depict those dreams. The desert is full of mysterious things, these are some of my favorites.

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Jennifer Fuciarelli 

Explore the many treasures of Chandler: the abundance of diverse eateries, the unique shops in historical surroundings, the vibrant night life, and the wonders of nature that encompass Uptown Chandler.

Eat. Explore. Elope.

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Ariana Enriquez

My design features a great blue heron and small verdin, both contributors to Arizona's ecosystem. Alongside the birds are mullein, dandelion, and purple nightshade - all weeds of the desert. Purple nightshade grows commonly in highly disturbed areas, such as in overgrazed pastures and vacant lots. They serve as a message that nature prevails despite or in spite of urban growth, calling for the restoration and respect of the natural world.

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Yuke Li

My work, UNDER THE SUNSET, depicts the productive people of Chandler illuminated by the warm glow of the street. The girl holding sunflowers, the couple driving with their dog to an outdoor dinner, and the man with the truck hauling off the load of work from the day, show the busy nature of the city as they pass by the sky-reaching palm trees. It is important to enjoy this moment of the day after things are accomplished. This is my inspiration for UNDER THE SUNSET. Please check out my other work at  www.yukeliart.com .

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Shachi Kale

Chandler has been my home for 20 years and this urban landscape is also home to so many desert creatures. In my utility box I chose to represent some of the creatures and plants that I’ve been lucky enough to spot in my neighborhood! Hummingbirds regularly visit my backyard. All the flowers depicted are from my own yard! I have on occasion seen a Quail parent corral a bunch of baby quails….a fun sighting. The Cactus Wren is our state bird and you can see it visit the saguaro blossoms. Though I confess I have only heard the owl and not seen him...but used my artistic license! 

I made the art digitally, using the bright vibrant colors that I think reflect the dynamic, friendly and welcoming community of Chandler!

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Chris Jagmin

This illustration imagines a fantastical botanical world filled with joyful patterns. The actual desert flora is already unique, but my drawing adds to the diversity and strangeness that is Arizona. 

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Meg Stapp

I am continually inspired by the desert landscapes in Arizona and love to see when the different desert flora and fauna are infused with the hustle of the city. In Chandler, it is common to see Saguaros, Ocotillo, Barrels and Pachycereus cactus lining the streets, outside of shopping centers and lining your neighbors’ yards. This year has been even more special because we have experienced so much rain- the desert plants that would normally be drying out have been so incredibly lush and supported a beautiful butterfly ecosystem that has allowed the populations to thrive all over the Valley. After seeing so many in an afternoon visit to Chandler, I was inspired to include a butterfly and the flowers they feed on in my creation amongst the lush desert plants to celebrate this year and provide a symbol of hope for years to come. 

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Tiffany Ulep

I was inspired by the variety of food you can get around in the city. Like a vending machine, Chandler has grown into one-stop shop place where you can have tacos and boba for dinner or wings and pho. I also wanted to pay homage to the tech companies by exposing the inner circuit board of the vending machine. With many tech companies calling Chandler home, it has help grow and diversify the city.

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Cheryl Juracich

For as long as I can remember classic cars have excited and inspired me. Happening upon a rare model in my community makes me feel like I've found a gem sparkling in the sun. Our vehicles don't just take us where we need to go. They can be part of our heritage and evoke a sense of pride. Chandler's classic car shows exemplify the bonds of community around nostalgia and restoration. 

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Tiesha Harrison

"Recycled Beauty" was inspired by my collaboration with two amazing student artists from Hamilton High School who expressed their love for Arizona desert plants, florals, sunrises and maintaining a clean thriving community. A shared commonality based on the authentic love for nature, vibrant explosion of colors, healthy and clean environment which can be found throughout the City of Chandler. Whether you are commuting through the popular intersections of Chandler or taking a stroll in the friendly neighborhoods, there are so many things to be grateful for and look forward to when living in a diverse vibrant community.

We want the design to be a great reminder for sustaining and/or implementing a few easy environmental awareness adjustments into our daily practice which can snowball into a greater impact for neighborhoods and generations to come." 

For more of Tiesha's work:  www.iamundefinedart.com 

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Vanessa Chavez

The inspiration for my artwork for this project was Chicano culture and the Chicano people who have helped make Chandler what it is today. I love the beautiful, vibrant colors and symbolism, and wanted to share that with people on the streets of the city. 

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Alexandra Bowers

For our utility box design, the Hamilton High School students and I chose to depict specific plants, animals, and insects found in the desert on each side of the box. We decided to have each design encased in a circle to reference the idea of “windows” into what we wanted to see more of in Chandler. We were also interested in the idea of “opposites.” Both in colors that were chosen, and in species that were highlighted on each side of our box. And lastly, our utility box was designed to embrace our natural world as Chandler continues to grow and develop as an urban city.

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Annemarie Comes

ART really does bring people together! A common desire was to bring more of our “Stunning Arizona Sunsets” to Chandler while also incorporating the logo and school colors of Hamilton High. Various perspectives were used here to capture a magical sunset over our unique Sonoran desert. This collaboration project encouraged students with backgrounds from Alaska and China to work with myself, a local artist to conceptualize, design and include the language of these places in a work of art that could be enjoyed by our community. Arizona truly does have some of the BEST sunsets in America! We are hoping that students and community members alike will gather to enjoy the sunset themed traffic box while at high school events, as they drive by or will even visit it up close to take a photo/see how each one of us contributed.

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Aimee Ollinger 

There are many things I would like to see differently in our community, but the one thing that I’ve always been passionate about is preserving our nature. It saddens me to see how much construction has disrupted our desert landscapes and endangered our wildlife. I was born and raised here in Arizona so I can see how things have changed so drastically over the years. Everywhere I turn I feel I am seeing a new mall or overpriced apartment complex being built. The design I created for this traffic control box is a reminder to appreciate the details that our beautiful desert has to offer and not destroy it with this increasing construction.  

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Sara Altieri 

Our design is a representation of a colorful, beautiful community that reflects the connections that we have with nature and one another. The sun and the birds are representative of all members of our community and peaceful interactions we have with nature and each other. The sun’s rays also represent nature. The recycle pattern behind the sun encourages us to care for our community by reducing our carbon footprint by reducing waste and consumption. Technology also connects us. The sound “waves” in the background and the cable are representative of the connection that technology provides.

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Adrian Ramirez

The artwork depicting the Mama Bear focuses on the protective nature of the bear. I really tried to capture the power of the animal while also weaving in a few faces through various shapes and color swaps to keep the eyes guessing. In much of my work, the abstraction is about how elements come together and fall apart--much like seeing images in the clouds.

I felt like a great counterpart to the bear is the wolf. After choosing the wolf as the supplemental character, I wanted to hone in on the concept of the pack leader. And in a similar fashion to the bear, I added some facial profiles to the design--bringing in the human element. My thought here was that the students could see themselves as both the leader of the pack and/or the protective bear--in whatever fashion suits them. 

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Courtney Currier

Living dual yet integrated lives as both a scientist and an artist, I draw my inspiration largely from the natural world and desert ecosystems in particular. Working with three young artists from Basha High School, Angelina, Kayla, and Sydney, my design reflects a unique ecological perspective of the Sonoran Desert and Salt River. In particular, we chose to highlight the wonder of nighttime nature, nocturnal animals, and the local (and at times ecologically controversial) wild horse community. We also chose a colorful linocut style to make the images pop! Even in urban centers like Chandler, we are embedded in a desert; my goal was to bring more appreciation to “unseen” facets of this awesome ecosystem to viewers.

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Merryn Alaka

Our communities around us, either those we choose or are born into, provide us safety, support, and ultimately a sense of belonging in our world. They allow us the space to become our most authentic, true version of ourselves. Inspired by the diverse and unique communities that reside all across Arizona, my patterned designs, both vibrant and rhythmic, incorporate colors, motifs, and symbols that serve as reminders of love, protection, and strength. The arches replicated across the design, draw from their history of being a symbol that embodies strength and support. The repeating eye is a light-hearted reinterpretation of the evil eye emblem, a sign of protection. Meditating on the playful movement of the repeating patterns and colors offers a realm of refuge and a moment to slow down and take in and appreciate the environments we build around ourselves.

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Paige Reesor

"Chandler Nights" is a digital artwork that features the iconic Saguaro cacti of Arizona, set against the backdrop of a star-filled outer space. In the foreground, astronauts are shown floating through the desert, looking in awe at the spectacle below. The painting incorporates the famous Phoenix Lights UFO event that took place in 1997, in which several residents reported seeing mysterious lights hovering over the city. The artwork blends elements of the Southwest desert with the vastness and wonder of the universe. I hope the viewer marvels at the beauty of our desert and the cosmos.

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Ashley Macias

This artwork depicts various flora and fauna found in our desert ecosystem. A coyote, rattlesnake, and tarantula interact with our native saguaro cactus and beavertail cactus against a background inspired by Arizona's famous sunsets. In addition to the animals and desert plant life, I included human elements such as an anatomical heart, a hand, and a human profile. These elements seamlessly flow with the plants and animals depicted to communicate and encourage a symbiosis between humans and nature. It is my hope this artwork inspires a deeper appreciation of our desert landscape and the role we all play in preserving it.

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Junior Toltecatl

This traffic control box sits right outside Arizona College Prep High School. This artwork was created in collaboration with ACP High School students and reflects the people and culture of the surrounding neighborhood.

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Jerome Fleming

This traffic control box, created in collaboration with students from ACP High School, responds to the prompt, "What do you want to see more of in your community?". Jerome's final design includes topiaries in the shape of letters that spell out "hope" alongside a pickup truck.

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Goolam Saber

"Goolam Saber Is a multifaceted visual artist from, Johannesburg, South Africa. His art practice is rooted within marginalized communities and stems from his upbringing in Apartheid South Africa.  The pieces designed here are titled: Peace and Resistance and serve as tribute to those who have to endure hardships for their right to exist and the peace we hope to achieve as human beings. Goolam has fought for and continues to fight for the next generation’s ability to flourish in a peaceful, just world.

Working with the students from ACP High School was a real treat for Goolam. Exploring so many cool ideas inspired him to push the design to the next level while staying true to his style.

The drawings are embellished with henna patterns and are a cultural reference to his ethnicity and a nod to the journey his ancestors had to endure during indentureship and immigrants alike, serving as a relatable cultural reference to the 12,456 Asian Indians living in the Chandler area. Goolam Saber appreciates the opportunity to represent a marginalized group through his artworks."

Learn more about Goolam Saber's art:  https://www.goolamsaber.art/ 

Traffic Control Box

Kelsey Phillips

Kelsey Phillips wanted to design a traffic control box that includes imagery that references that surrounding desert landscape as well as introduce elements of her fantasy artwork. In collaboration with ACP High School students, Kelsey drew inspiration from the school's mascot, a knight, and created this surreal artwork.

Learn more about Kelsey's work:  https://artofkeymintt.weebly.com/ 

Traffic Control Box

Alexandra Bowers

"After seeing where the box was located and meeting with members of the Chandler community, I formalized my concept. I chose to depict the 'Mexican Gray Wolf' on one side of the box to honor the Chandler High School mascot, and to highlight the species of wolf most found in Arizona. It was important for me to also showcase other flora that I believe symbolizes the state of Arizona as a whole, and most importantly what you will find in Chandler to create a theme for my box. Alongside the Gray Wolf, I wanted to incorporate citrus, commonly found throughout the entire state, but specifically in Chandler. On one side I showcased Saguaro blossoms and one of the main creatures that pollinate the blossoms- the 'hawk moth.' On the opposing side, I chose to represent creosote, and the state butterfly of Arizona the 'Two-Tailed Swallowtail.' On the back side of the box, I wanted to highlight cotton, one of the staple crops of Chandler (also discussed in meetings with members of the community) interwoven with the Diamondback rattlesnake. I was born and raised in Arizona, as a child exploring the desert, it was instilled in me to always be on the lookout for rattlesnakes, while simultaneously appreciating their inherent beauty. I have always appreciated the natural environment that surrounds our cities and communities and my hope for this box is that I have successfully depicted aspects of our environment that are recognizable, beautiful, and symbolize what it means to be a desert-dweller."

Learn more about Lexie and her work:  https://alexandrabowersart.com/ 

Traffic Control Box

Maria Bueno

This design was created by Maria Bueno in collaboration with students from Arizona College Prep High School. The school's mascot, a knight, and colors of Arizona College Prep inspired this knight-themed traffic box. On the back panel is the school logo along with, “Marching to Victory,” a phrase from the school's signature chant. This depiction of the knight reflects the noble character of the school's neighborhood.

Learn more about Maria's work:  https://mariabuenoillustration.weebly.com/ 

Traffic Control Box

Roger Perkins

Roger Perkins' motto is to “educate through art." When designing this traffic control box, he had a specific message and teaching in mind: to inspire, awaken, honor and unite all.

This design depicts the diverse ecosystem of the native lands of the Hohokam and the Arizona desert. Through his work, Perkins strives to build a better world for Indigenous Peoples, especially youth.

Learn more about Roger's art:  https://powowpopart9.godaddysites.com/ 

Downtown Chandler SRP Box Wrap

Pen Macias

This vinyl SRP box wrap features a javelina, a Gila monster, a tortoise, and a roadrunner jammin' out together in Downtown Chandler! Iconic Chandler landmarks such as The Crowne Plaza San Marcos Golf Resort and Ariana Enriquez's "Hum of the Desert" Commonwealth Canal mural are featured in the background.

Chandler Museum Agave Room Door Decals

Jon Arvizu

These vinyl decals are installed on the doors of the Chandler Museum's Agave Room. Jon Arvizu's design includes local flora and fauna, a portrait of Dr. A.J. Chandler, and iconic Chandler landmarks and pastimes. This design reflects the art, history, and culture of the region.

Learn more about Jon and his work:  https://jonarvizu.com/ 

Traffic Control Box

Allie Giambalvo

"My inspiration for this project was within the stories of the community and within the Sonoran Desert. I wanted to showcase the beauty of Arizona while painting a more local picture of the people who live there. Each of the five sides represents a unique part of what makes our home special.

Arizona is home to a diverse amount of flora and fauna, including the Pipevine Swallowtail butterfly. This blue butterfly is related to the Arizona State butterfly, the Two-tailed Swallowtail. You can find these butterflies out pollinating desert plants in the springtime.

The Sonoran Desert panel showcases our most beloved cactus, the Saguaro within the native desert. The Saguaro is only found in Arizona, and in May and June white blooms can be seen on the tops. Flying in the sky is the Phoenix Lights UFO, paying homage to a 1997 phenomenon that is still talked about today.

The Aloha Motel came from an interview I listened to from one of the community members. She shared her memories from childhood about driving past this neon sign, and it reminding me of the old Shamrock sign on the I-17 on my side of town. These important childhood landmarks are something many of us have in common. This panel serves as nostalgia, a reminder of our past.

Day of the Dead was talked about by both the elementary and high school groups, and within the interviews of community members. I felt like honoring this tradition was an extremely important aspect, and I wanted to showcase the beauty and diversity of Galveston. The flowers in the Day of the Dead panel are the same flowers found in the butterfly, reminding us of our deep connection to nature. This panel represents culture and tradition.

The white petals floating throughout each panel serves as a reminder that we are all connected in many ways: nature, community, family, and home. And finally, the top panel is the constellation Phoenix.

Learn more about Allie's work at alliegiambalvo.bigcartel.com

Traffic Control Box

Junior Toltecatl

Artist Junior Toltecatl enjoyed working with stakeholders in the Galveston neighborhood to create a design that would represent the community. He created these Lotería-inspired drawings that highlight the culture of the Galveston neighborhood and the larger Chandler community.

Learn more about Junior's work at jtoltecatl.com

Traffic Control Box

Krista Hill

"I ended up designing from the inspiration I got at the meeting with the students from Galveston Elementary. I've been dealing with art for kids for a while now and they almost always request a dog and a cat. Since these aren't really 'natural to the environment' animals I thought it would be nice to put them into the context of the neighborhood. I also got a sense from the culmination of information that possibly this neighborhood feels a bit like outsiders, so I wanted to make art that makes them feel like a part of Chandler. I incorporated the neighborhood name "Galveston" on the side and "Chandler, Arizona" on top to represent a continuation of unity. I drove around the neighborhood a bit and it looks like a lot of colorful homes are here so I tried to tie in that element as well."

Learn more about Krista's work at dreamboxart.com