History of Restaurant and Its Significance in Song Dynasty
What was so special about restaurants in Song Dynasty?
HISTORICAL CONTEXT
Recognized by Marco Polo after he traveled through much of Asia, China was the most advanced country during the time period of Song Dynasty (960-1279). During this period of time, China had undergone an unprecedented economic growth. The growth in economics was mainly caused by innovations in agriculture. In Song Dynasty, there was an introduction of new strain of rice from Champa and an improvement in water control and irrigation. With the combination of these two progresses, the yield of rice increased dramatically in Song Dynasty. A healthy society is built upon its steady food supply. The increase in food supply during Song Dynasty allowed population to grow, approximately doubled. The prosperous economy and drastic increase in population fueled the growth of cities during this time period (The Song Dynasty in China). This created business opportunities for restaurant owners. Within the prosperous cities, especially the capitals of Northern Song Dynasty (960-1127) and Southern Song Dynasty (1127-1279), there were numerous restaurants, and they gradually became important public spaces that occupied by people from different social classes, such as actors, prostitutes, scholar bureaucrats, and wealthy merchants (Pilcher).
Farming scene depicted in the Qingming Scroll (picture from The Song Dynasty in China )
City life depicted in the Qingming Scroll (picture from Song Dynasty Life )
Discovering China - The Song Dynasty
RESTAURANTS AND CHINESE CUISINE IN SONG DYNASTY
Development of Specialized Restaurants
As the capital of Northern Song Dynasty (960-1127), Kaifeng was the first city to have specified regional restaurants, which were the ones only offered cuisine of distant provinces and places. The geographical location of Kaifeng made it the natural winner of this game. Located at the nexus of several important canals, including the Yellow River and the Grand Canal, Kaifeng served as a commercial center that attracted merchants and bureaucrats from all over the country (West, 70). The specialized restaurants were mainly opened for government officials, members from elite families, and wealthy merchants coming from the south-east, since there was significant difference in taste between the north and south (Gernet, 133). Evident in the literatures of Song Dynasty, the words, such as Nanshi (南食, southern food), Beishi (北食, northern food), and Chuanfan (川饭, Szechuan food), started to appear, indicating there were a wide variety of specialized regional food in the city of Kaifeng (West, 70).
Restaurants depicted in the Qingming Scroll (picture from Song Dynasty Life )
Rice is extremely important in southern food (picture from What is Song Dynasty? )
Noodle in northern food (picture from Rasa Malaysia )
However, everything had changed in 1127 when the Jin’s troop marched into the city of Kaifeng, right after its defeating of the Khitan Liao. Because of this invasion, many government officials, members from the court, and elite families fled to the south, towards the Yangtze River. This sudden event caused a relocation of the capital to Hangzhou and gave rise to Southern Song Dynasty (1127-1279) (Ropp, 71). This massive migration of people from the city of Kaifeng had bought many culinary traditions from the areas they originally lived in, leading to a blend of cuisine between the north and the south. In the city of Hangzhou, it also appeared specialized regional restaurants that was similar to those in Kaifeng. For example, there were Szechuan Restaurants that served dishes seasoning with excessive amount of pimento. And even there was no official historical record, there were also restaurants serving Islamic cuisine, which excluded food such as pork, for Muslim merchants coming to the capital, (Gernet, 134).
Morden version of Szechuan dish with many pimento (picture from South China Morning Post )
Kaifeng and Hangzhou, as the capitals of Northern Song and Southern Song Dynasties, had a highly mix of population coming from different regions. People met, traded, and exchanged ideas with each other, and this led to the development of the cuisine of capitals, which blended special culinary cultures bought into the cities and the native culinary culture (Sabban, 5). The emergence of specialized restaurants in major cities, such as Kaifeng and Hangzhou, showed the open and welcoming attitudes that people from Song Dynasty held towards different regions. They respected and embraced different cuisines coming from each region and opened specialized restaurants to accommodate the needs of people coming from those regions.
People’s perception towards food in Song Dynasty
Captured in the painting “Along the River During Qingming Festival” (the Qingming Scroll) by Zeduan Zhang, Song Dynasty had a lively street life. The painter delineated activities happening on the street – there were scholars having discussions,
Scholars having discussions depicted in the Qingming Scroll (picture from The Song Dynasty in China )
people gathering around a storyteller,
A storyteller entertaining the crowds depicted in the Qingming Scroll (picture from The Song Dynasty in China )
customers buying food from the street vendors,
A street vendor selling tools near the Rainbow Bridge (picture from The Song Dynasty in China )
crowds trying to help the almost crashing wayward boat,
People on the Rainbow Bridge and the almost crashing wayward boat (picture from The Song Dynasty in China )
and much more to name. Among these activities, one of the most important was eating in restaurants. In Northern Song Dynasty, although there were countless numbers of restaurants spreading throughout the city of Kaifeng, many of them concentrated on the streets that offered mainly entertainment. In chapter three of Dongjing Meng Hua Lu, which was a memoir written by Yuanlao Meng to reminiscence the busy city life in Kaifeng, it described the layout of part of the city:
“寺东门大街,皆是袱头、腰带、书籍、冠朵铺席,丁家素茶。寺南即录事项妓馆。绣巷皆师姑秀坐居住。北即小甜水巷,巷内南食店甚盛,妓馆亦多. ‘Along the Si Dong Men Street, there were tons of stores selling kerchiefs, waistbands, books, and flowers. There were also Ding’s vegetarian tea house. In the south of the temple, there was the Brothel of Lu Shi Xiang. The nuns and seamstresses lived in the Xiu Alley. North of it was Xiao Tian Shui Alley, and in this alley, there were plenty of southern restaurants, as well as brothels.” (Meng, 21).
Even though the text did not directly inform us about the location of restaurants, it seemed that they were located in areas that mainly provided entertaining services, such as brothels (West, 71). Kaifeng’s layout near Si Dong Men Street indirectly revealed how people at that time period thought about restaurants – they viewed restaurants serving similar purpose as brothels, associating them more with places to leisure than places to taste food.
Other than the location of restaurants, what was happening within them demonstrated a strong affinity between restaurant and theatre during that period of time. The consumption of wealthy merchant or merchant-bureaucrat class in restaurants support the growth of both restaurant industry and the development of theatre (West, 69). Theatre is any live event where A performs B for C, in which A is the person performing, B is the material being performed, and C is the audience (Salvatore, slide 13-14). In this sense, restaurant in Song Dynasty was theatre at its essence. Here is an excerpt from Dongjing Meng Hua Lu, delineating how a restaurant in Song Dynasty operated:
“行菜得之,近局次立,从头唱念,报与局内。…… 须臾,行菜者左手杈三碗、右臂自手至肩驮叠约二十碗,散下尽合各人呼索,不容差错. The waiter in the restaurant took orders from customers, then he went to the kitchen and waited in line to tell the orders. When it was his turn, he would sing the order out loud to people working in the kitchen … When the dishes were ready, the waiter would take three dishes using his left hand and hold about twenty dishes one over each other from his right hand to shoulder. Then, he will distribute these dishes in the order that they were placed, and zero mistake was allowed” (Meng, 29).
The excerption above captured a scene of how a restaurant functioned during that time period. Many parallels can be drawn between a standard restaurant and a theatre. The waiters who sang the orders out and distributed dishes were the actors; the materials being performed were the shouting of orders and the specialized ways of dish distribution; and the audience were the costumers coming into the restaurants.
The “showmanship” delineated in this excerpt from Dongjing Meng Hua Lu “suggests an increasing valorization of the spectacle and esthetics of presentation as much as a concern for the actual taste of food” (West, 93).
The idea of incorporating performing art into restaurants was still prevalent in today’s Chinese food industry, especially in restaurants serving specialized cuisine, such as those Szechuan hotpot places.
Sichuan Opera Face-changing in Haidilao Hot Pot
Incorporating the regional performing art into customers’ dining experience, such as offering Szechuan Opera in the restaurant, became an extremely important way of attracting customers in today’s China. The fact that theatrical elements became a standardized arrangement in restaurants indicated that showmanship in a restaurant increased in importance during Song Dynasty, and it continued to gain importance, even until nowadays. This phenomenon implied people started to shift their interests from the actual food or taste of food to the quality of entertainment offering by restaurants.
Before the Song Dynasty, in the Tang Dynasty, although people in that time period sometimes blended entertainment and food together, such as hunting, they ate more for taste of food (Benn, 132). As mentioned by Pilcher in The Classical and Postclassical Era, Tang Dynasty flavored naturalism and also always looked for ways to enhance the original flavor of food (Pilcher, 6). However, it is clearly shown through the locations of specialized restaurants and the process involved in the operation of a restaurant, food was not so much for sustenance and taste but a way of entertaining. As an “entertainment-oriented society”, the social environment during Song Dynasty played an important role in supporting the growth in restaurant industry (Tian et al. 355).
SIGNIFICANCE OF RESTAURANT IN SONG DYNASTY
Economic and social environment had a significant impact on the development of restaurants during Song Dynasty. Diving into the history of restaurant in Song Dynasty through the lenses of specialized regional restaurants and people’s changing perception towards food, it created a clear picture that people in Song Dynasty taking food and restaurants to a next level.
The emergence of regional restaurants indicated the extensive trade happening between people in major cities of Song Dynasty and other different regions within China, or even some neighboring countries, but at the same time, it also revealed a sense of openness rooted in the cultural value of Song Dynasty. With the extensive trade, people from Song Dynasty had opportunities to interact with people coming from different regions and with the cultural ideas they were carrying with them. Opening regional restaurants to accommodate people’s tastes was a sign that people in Song Dynasty held a welcoming attitude towards people from different areas and embraced these exotic cultures as part of their city lives. These regional restaurants then became important places that foreign travelers had food, and with this taste of home, they might be more likely to have a trade in these major cities again. In this sense, restaurants in Song Dynasty played an important role in displaying respect towards foreign cultures and maintaining the level of extensive trades happening in major cities.
For sure, with more money and leisure time, people started to demand more from restaurants. There was a shift from valuing the taste of food to valuing the entertaining elements associated with food. The locations of restaurants reflected the way restaurant owners perceived the functions of their business and their customers’ primary need. It was the same as the trend of incorporating theatrical elements into the presentation of food. Why not just serve customers in ways that they used to serve them? This trend did not just happen naturally because the waiters wanted to serve their customers in a novel way, but because they realized a necessity of doing that. Clearly, for people in Song Dynasty, eating food was no longer for sustenance but for pleasure that they could not obtain from solely eating food. The special presentation of food, making the experience of eating similar to that of watching a performance, gave the activity of eating in restaurant artistic value, and this was something that made people’s experience of eating in restaurants so unique from eating in other places. With this special quality, the restaurants in Song Dynasty were able to successfully become one of the most important entertaining places that people went to for their city life.
In this way, history of restaurant in Song Dynasty was also the history of people and the history of society.
Work Cited
Benn, Charles D. “Food and Feasts.” China's Golden Age: Everyday Life in the Tang Dynasty, Oxford University Press, 2004, pp. 119–148, https://books.google.com.hk/books?id=ile3jSveb4sC&pg=PR7&dq=food in tang dynasty&lr=&hl=zh-TW&source=gbs_selected_pages&cad=2#v=onepage&q=food in tang dynasty&f=false.
Gernet, Jacques. “Chapter 3 Housing, Clothing, Cooking.” Daily Life in China : on the Eve of the Mongol Invasion, 1250-1276, translated by H. W. Wright, Stanford University Press, 1962, pp. 113–143, https://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full text;idno=heb01844.0001.001;didno=heb01844.0001.001;view=image;seq=00000111;node=heb01844.0001.001:5.
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Zhang, Zeduan. Along the River During the Qingming Festival. 1085-1145, Palace Museum, Beijing