The Golden Age of Amsterdam in the 17th century
INTRODUCTION
Map of Amsterdam
During the 17th century, Amsterdam underwent a remarkable transformation, emerging as a vibrant center of culture, economy, and social activities. Situated at the heart of the Dutch Republic, the city experienced unprecedented development, evolving into one of Europe's largest and most influential cities. Amsterdam's Golden Age was characterized by remarkable cultural, economic, and social developments that left a lasting impact on the city and its inhabitants.

MAP OF AMSTERDAM BY FREDERIK DE WIT, 1688. COLLECTIONS OF THE ROYAL LIBRARY, NATIONAL LIBRARY OF THE NETHERLANDS. ROYAL LIBRARY, THE HAGUE
The purpose of this paper is to delve into the intricacies of Amsterdam's Golden Age and explore the cultural, economic, and social developments that characterized the city during this period. Through a comprehensive analysis of Amsterdam's urban landscape, artistic patronage, and societal structure, this paper aims to shed light on the city's significance as a thriving center of commerce and culture in the 17th century. Through an analysis of Amsterdam's urban landscape, artistic patronage, and societal structure, this paper aims to illuminate the city's pivotal role as a thriving center of commerce and culture in the 17th century. By delving into these key aspects of Amsterdam's history, the complexities of its Golden Age and the city's enduring legacy in European history could be appreciated.
- Amsterdam’s Urban Transformation
"Amsterdam, Netherlands" by europeanspaceagency is licensed under CC BY-SA 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/2.0/?ref=openverse.
This satellite image provides an overview of the urban layout, geographical features, and relationship with the surrounding landscape of Amsterdam. Such background is crucial for understanding how the city has developed and interacted with the environment and urban planning. Besides its historical significance, the satellite image also reflects the modern urbanization, transportation network, and economic activities of Amsterdam. This broader perspective enables viewers to analyze Amsterdam as a vibrant, evolving city, whose cultural, social, and economic significance transcends the Baroque period.
In the 17th century, Amsterdam played a crucial strategic role as a major port and trading center. During this period, Amsterdam witnessed rapid urban expansion and the development of its iconic canal ring. The construction of the canal system not only connected various districts within the city but also established important trade routes with surrounding areas and other cities. These canals, bridges, and waterfront buildings played a pivotal role in shaping Amsterdam's urban landscape. The canals not only facilitated water transportation and trade but also added to the city's picturesque scenery, becoming significant attractions for tourists and residents alike. Bridges connected various parts of the city, fostering communication and development. Waterfront buildings such as docks, warehouses, and markets served as vital hubs for economic activities and cultural exchanges, contributing to Amsterdam's prosperity and unique charm (Leeflang, 1997, pg. 68-73). Therefore, canals, bridges, and waterfront buildings played indispensable roles in shaping Amsterdam's urban landscape, serving as symbols of the city's distinctive allure.
In the overall urban development of the Netherlands, Amsterdam, known as the canal city, played an extremely important role. Before the independence of the Netherlands, Antwerp was the most important port and trading city in Europe at that time. During the Eighty Years' War, Antwerp was occupied by the Spanish army, leading to many citizens fleeing to the northern Netherlands. The Dutch decided to establish Amsterdam in the north as the second Antwerp. Amsterdam was built on marshland, and excavating the canals was a massive and technically challenging engineering feat. All buildings were constructed on wooden piles driven into the marshland, each made of sturdy and straight Northern European pine. The submerged parts of the piles would not rot, but the tops, coated with adhesive (peat, sand, clay, etc.), had to be kept dry until the adhesive dried. Therefore, when driving the piles, channels had to be dug first to drain the water, and after the adhesive dried, the water would be redirected from the channels. The magnificent Royal Palace built on Dam Square in Amsterdam stands on thirteen thousand six hundred wooden piles (Gawronski, 2017, pg 34-38). Amsterdam was once a model for urban construction across Europe, and the establishment of the entire city can be considered a miraculous feat of hydraulic engineering and urban planning in the history of human civilization.
"Amsterdam Historisch Museum" by Sebastiaan ter Burg is licensed under CC BY-SA 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/2.0/?ref=openverse.
In Amsterdam, you might not see particularly magnificent Gothic cathedrals, nor will you see those Greek columns and Roman arches. Along the concentric canals of Amsterdam stand rows of colorful gabled houses, with iron hooks still on the rooftops from the days when goods were hoisted. Various boats and houseboats dock on the canals, many adorned with beautiful flowers. Looking along the canal into the distance, you can see bridges of various sizes. If one stands on a bridge and looks in any direction, it's a tranquil and harmonious scene. The tallest building in the old city is the Westerkerk, but it's only a little over a hundred meters tall, and the church is quite slender.
On Museum Square in Amsterdam stands one of the world's top ten art museums, the Rijksmuseum, which is also a remarkably beautiful building itself. The museum houses an extensive collection of Dutch art from the Golden Age, with its centerpiece being Rembrandt's "The Night Watch." Additionally, there are other works by Rembrandt, including group portraits painted in his later years for various guilds, as well as Vermeer's "The Milkmaid." The museum also features numerous portrait paintings by Frans Hals.
"Gezicht op Amsterdam, Stefano della Bella, 1647" by Stefano della Bella is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse.
This painting depicts the scenery of Amsterdam: on the left are towers and houses, on the right are people standing on the docks, and in the background are many ships in the harbor. It faithfully records the architectural style of Amsterdam in the 17th century and its appearance as a major port and trading center due to its rivers. Amsterdam's intricate network of canals interconnected with unique waterways, bridges, and bustling streets, all merge to form a distinctive urban landscape.
"De Appelmarckt (The Apple Market), from Views in Amsterdam, plate 6" by Reinier Nooms, called Zeeman is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse.
This work is an etching on ivory-colored paper, one of the series of prints "Views in Amsterdam" created between 1600 and 1700. It depicts scenes of the important port of Amsterdam during the 16th century. The bustling ships highlight the city's vibrant trade, aiding in the study of the cultural and artistic characteristics formed during Amsterdam's urban expansion and prosperous trade process.
"Gezicht op het Maagdenhuis in Amsterdam, Cornelis Bogerts, 1786" by Cornelis Bogerts is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse.
The painting depicts the Maagdenhuis (Virgin House) in Amsterdam. The Maagdenhuis is a historic building located in the center of Amsterdam and is an important historical landmark, constructed between the 16th and 17th centuries. In the picture, we can see the appearance of the building, as well as the surrounding streets and buildings. The details in the picture are vivid, showing the architectural style and urban landscape of Amsterdam at that time. The grand building features imposing outer walls and a beautiful courtyard, contributing to the study of Amsterdam's architectural style at the time.
"Wachthebbende burgers in Amsterdam, anonymous, 1672" by anonymous is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse.
This silver coin was minted in Amsterdam during the 17th century. It features a citizen standing guard in Amsterdam, holding a spear and shield, with a lion-like animal crouching beside them. The inscription "Vigi lando" at the top serves as a reminder of vigilance over the land. The symbols and elements depicted on this silver coin can be used to study how Amsterdam valued and expanded its land during the 17th century. The ships carved next to the coin representing trade culture and the importance of the canal.
2. Artistic Patronage and Cultural Flourishing.
The 17th century Amsterdam emerged as one of the wealthiest and most prosperous cities in Europe, attracting artists in droves seeking opportunities and inspiration. The wealth of merchants also had a significant impact on art sponsorship. Due to the flourishing trade and commercial activities, many merchants in Amsterdam amassed immense fortunes. These affluent merchants not only invested in commerce and trade but also generously supported artists and the creation of artworks (Etro & Stepanova, 2013, pg 34). Firstly, wealthy merchants became the primary purchasers of artworks. They competed in the market to acquire renowned paintings, sculptures, and other artworks, thereby driving the prosperity of the art market at that time. Through the acquisition of artworks, these merchants not only showcased their wealth and social status but also, to some extent, supported the livelihoods of artists.
"Abraham de Visscher (1605-67). Amsterdam merchant and director of the Dutch West India Company, Abraham van den Tempel, 1650 - 1667" by Abraham van den Tempel is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse
This oil painting portrait depicts Abraham de Visscher, a famous merchant in the 17th century in Amsterdam. Abraham was involved in flourishing trade during the 17th century, leading to the predominance of white men in the merchant class, who held significant positions in civic life and art patronage. This artwork not only serves as a study of portrait painting styles of the time but also prompts reflection on the limited representation of individuals from lower socio-economic backgrounds, women, and minorities in mainstream artistic works of that era.
Furthermore, some wealthy merchants directly sponsored the work of artists. Certain merchants also provided workspaces such as galleries or studios. Galleries and studios were widespread throughout Amsterdam at that time, becoming centers for artistic creation and exchange. These galleries and studios served not only as places for artists to showcase their work but also as spaces for their daily lives and creative endeavors. Artists interacted with each other in these places, inspiring one another and collectively exploring new artistic techniques and styles. The galleries and studios in Amsterdam thus became vibrant and creative communities, driving the prosperity and development of Dutch art at that time (Montias, 1988, pg. 179).
Meanwhile, Amsterdam's churches, markets and squares served as the sources of inspiration for artists. These places were filled with various people and items, providing artists with rich materials and subjects. Artists could observe people's lives and daily scenes, capturing real emotions and experiences. They could find a variety of themes and objects here, ranging from ordinary urban life to unique traditional activities, all of which could serve as inspiration for their work (Jager, 2020, pg. 112-115).
"De Westerkerk - West church and queue to Anne Frank house" by paulius.malinovskis is licensed under CC BY 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by/2.0/?ref=openverse.
Westerkerk is a Reformed Protestant church built in the 17th century, located in central Amsterdam, built along the water. The whimsical decorations on the roof of the Westerkerk reflect the Renaissance style adopted by the architect Hendrick de Keyser. This photo helps to appreciate the architectural style of church buildings during this period, as well as the architectural style along the river in this city.
"Popular Celebrations in Dam Square, Amsterdam, on 4 March 1795, marking the erection of the Liberty Tree and the success of the Batavian Revolution" by Daniël Johannes Torman Kerkhoff is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse.
Dam Square is one of the iconic buildings in the architectural landscape of 17th-century Amsterdam, which served as the bustling commercial and social hub of Amsterdam, reflecting the prosperity and civic pride of that era. This artwork not only depicts the macro cityscape of the square but also portrays the residents celebrating and cheering in the square. Festivals, markets, and artistic activities enrich Amsterdam's cultural landscape. The vibrant cultural life extends beyond visual arts to include theatrical performances, music festivals, and religious celebrations, creating a lively artistic atmosphere.
"Group Portrait of the Meebeeck Cruywagen Family at the Gate of their Country Home on the Uitweg near Amsterdam, Jacob van Loo, 1640 - 1645" by Jacob van Loo is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse.
This portrait is a group portrait of the Meebeeck Cruywagen Family. The painter, Jacob van Loo, was a Dutch Golden Age artist who was primarily active in Amsterdam. The work is created in the Baroque style, which originated in Rome and became popular throughout Europe. In this painting, we can see the scene of the Meebeeck Cruywagen family in front of their country villa located near Uitweg, Amsterdam. This painting showcases the life of wealthy Dutch merchant families at that time, depicting their luxurious residence and beautiful surroundings. In the picture, we can see the spacious courtyard of the villa, elegant architecture, lush gardens, and the surrounding fields and trees. The figures in the painting are vivid and natural, displaying their elegance and prosperity.
Through this artwork, we can study the impact of merchant wealth on art sponsorship. During Amsterdam's Golden Age, wealthy merchant families played an important role in sponsoring art. They supported the development of art through purchasing artworks, sponsoring artists, and art projects. This sponsorship not only promoted the creativity of artists but also enriched Amsterdam's cultural landscape (Hollander, 1994, pg. 321-323).
3. Societal Structure and Representation
The governance structure of Amsterdam includes the city government, city council, as well as various committees and departments (den Hollander, 2021, pg. 231-232). The management of the towns themselves follows two different models. In coastal provinces, a permanent committee composed of lifelong members is responsible for managing local services and overseeing provincial and national political affairs. In practice, many day-to-day affairs are handled by two to four mayors who are elected for one to two years and often re-elected after a brief waiting period. In Amsterdam, temporarily relieved mayors still participate in an informal "Former Mayors" council, which in fact holds more power than the council itself. Amendments to local constitutions, the introduction of new taxes, and the resolution of similar issues all require the approval of the city council. While representation rights are not explicitly written into local constitutions in coastal towns, they are very real. For example, much of the local legislation in 17th-century Amsterdam was not only based on petitions from civic associations such as guilds but often directly copied from these petitions word for word. To this end, the city government could rely on a dense network of local associations. Civic organizations covered many areas of urban life—some voluntary, some mandatory (Prak, 2018, pg. 25-26).
"Burgemeester Joost Buyck van Amsterdam neemt Filips II de eed af, 1549, Barent de Bakker, 1780 - 1782" by Barent de Bakker is marked with CC0 1.0. To view the terms, visit https://creativecommons.org/publicdomain/zero/1.0/?ref=openverse
The painting depicts the mayor of Amsterdam taking an oath like Philip II (the reigning ruler) in the 16th century. This painting is significant as a historical artifact, providing insight into the artistic representation of important political events and figures in Dutch history. It reflects the artistic style and conventions of the time, as well as the interests and values of the society in which it was created. The significance of this painting lies in its representation of a historical event that underscores the relationship between Amsterdam and the Spanish monarchy during the 16th century. However, the Dutch Revolt eventually led to the independence of the Netherlands from Spanish control and the establishment of the Dutch Republic. Therefore, this painting serves as a reminder of the complex political and historical dynamics between Amsterdam, the Dutch people, and the Spanish monarchy during this period of transition and resistance.
In the 17th century, citizen participation in Amsterdam was characterized by a relatively high level of engagement in local governance and decision-making processes. Despite not having formalized mechanisms akin to modern democratic systems, Amsterdam had a vibrant civic culture where citizens actively participated in public affairs through various channels. Guilds played a significant role in representing the interests of different professions and trades. They often petitioned the city government on behalf of their members and were influential in shaping policies related to trade regulations, labor practices, and urban development.Citizens frequently submitted petitions and requests to the city government, expressing their concerns, grievances, or proposals for legislative changes. The authorities often took these petitions seriously and sometimes directly incorporated their demands into local laws and regulations.Some citizens, particularly wealthy merchants and landowners, held positions in municipal government or served as magistrates. These individuals played a direct role in shaping policies and overseeing administrative functions, thereby exerting influence on civic affairs (Maika, 2005, pg. 59-61).
Jacob van Campen, Koninklijk Paleis Amsterdam (Royal Palace of Amsterdam, formerly the Town Hall of Amsterdam), 1648-65 (photo: Mihnea Stanciu , CC BY 2.0)
Amsterdam's City Hall, a tourist attraction, became the subject of many paintings, apparently created for admirers of the building. The paintings themselves are the result of another major cultural innovation.
Jacob van Ruisdael, View of Haarlem with Bleaching Grounds, c. 1670–75, oil on canvas, 55.5 x 62 cm (Mauritshuis, The Hague)
In the 17th century, various landscape paintings emerged with towns as their subjects rather than nature. Some of these townscapes depict urban environments as if they were elements within the natural landscape of the painting. One of the most famous works of the time is likely Jacob van Ruisdael's "View of Haarlem", which portrays the renowned linen bleaching industry of Haarlem in the foreground.
"Jacob van Ruisdael (c. 1629–1682), The Windmill at Wijk bij Duurstede, c. 1668–c. 1670" by Tulip Hysteria / Go to albums is marked with Public Domain Mark 1.0. To view the terms, visit https://creativecommons.org/publicdomain/mark/1.0/?ref=openverse.
This is a canvas oil painting also created by Jacob van Ruisdael in 1670. It is a prime example of painting from the Dutch Golden Age and is held in the collection of the Amsterdam Museum. Ruisdael's work inspired later landscape painters such as John Constable.
CONCLUSION
In conclusion, the exploration of Amsterdam's Golden Age reveals a period of significant transformation and progress. Through a comprehensive analysis of Amsterdam's urban landscape, art patronage, and social structure, valuable insights have been gained into the city's importance as a prosperous commercial and cultural center in the 17th century. Amsterdam's strategic position as a major port and trading hub played a crucial role in its urban transformation. The iconic canal ring and bustling waterfront architecture not only shaped the city's natural landscape but also fostered economic prosperity and cultural vitality.
Furthermore, the vibrant art scene of Amsterdam's Golden Age showcases the city's cultural flourishing. Artworks from this period highlight the blending of commerce and culture in Amsterdam society. However, despite the city's prosperity, mainstream artworks were predominantly influenced by the merchant class, limiting representation of marginalized groups. From these research findings, it is evident that Amsterdam's Golden Age was indeed a period of cultural, economic, and social advancement, yet it was also marked by social complexity and inequality.
As we continue to explore the complexities of Amsterdam's history, it is essential to recognize its lasting legacy in shaping broader historical narratives and its enduring impact on European history. Through further research and analysis, we can continue to unveil Amsterdam's rich and colorful past and its significance in understanding both the past and the present.
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